However, I disagree that mastering can make a song made with a piece of **** keyboard sound Professional. “It's a platform for VST plug-in instruments and Audio Units plug-ins, and it does a whole lot more.”Īctually, you can pay $60 per song to get ur song mastered by the same guys who do Usher's and Janet Jackson's Mastering, but you are right about having to master it and mastering it making it sound better.
Plogue Bidule modular-audio software: “Plogue is a workspace where you can take virtual instruments, combine them and control them with a MIDI source,” Wayne says. That's important for me while I'm creating.” You can change the instrument that corresponds with without having to stop the record. But the MPC2000 is the most user-friendly. It sounds so thick and rich.”ĭigidesign 192 I/O (3), 888 I/O (2) interfaces, Pro Tools softwareįurman PL-Plus power conditioner SSL 9000J consoleĪkai MPC2000XL, MPC3000: “My main drum programming comes from the MPC30 side by side,” Storch says. I plugged the clock in, and it changed my life. “I also use it to clock on any Pro Tools system. Reverb and delay are the most obvious and commonly used but creative modulation effects and compression are also very commonly used in mixing with awesome results.Well its kind of vague for a question but heres something that might help you outĬomputer, DAW, recording hardware, consoleĪpogee AD-8000 converter: “It works with the neutrality formula I have,” Wayne says. There are a lot of parallel effects that you can use in mixing. Keep in mind that for this example where we are using reverb as a parallel effect any EQ/ dynamic processor you place before the reverb will affect the signal going to the reverb while any EQ/ dynamic processor you will insert after the reverb will affect the output of the reverb unit. To change the sound of the parallel processing you can use EQ and dynamic processors. You do not want any dry signal to come out as you have your original track that is totally dry. Next, simply send signal from any track to that bus and you will hear you track affected by the reverb plug-in. Make sure that the Dry/Wet mix parameter is 100% wet.
Using plogue bidule in pro tools 1st how to#
How To Use Parallel ProcessingĬreate a stereo auxiliary track, insert a D-verb plug-in on any of the ten insert slots and then select a bus that will feed the auxiliary track. It is hard to talk generally as there are no rules that you can’t bend when mixing – however parallel processing is a strong tool in any mixing engineer’s arsenal. This is not a general rule as some mixes may require you to use different reverb on the snare than the rest of the kit for example. Not the same amount of reverb but similar parameters for the “space” your tracks reverberate in. However, it is far more common to use identical reverb settings on every drum track. Theoretically, Pro Tools enables you to have different types of reverb units for each drum kit instrument but it is not something that will get you good results – unless you are specifically looking for that kind of sound. A good example is adding reverb to multi-track drums your ears are used to hearing drums with similar reverb for each instrument for an obvious reason: it is common for a drum kit to be played in one room at a time, not in several rooms at one time– which is practically impossible. This is especially useful in situations where you want several tracks to be processed by the same effect. It is called parallel processing because you do not affect the original signal, only the sent “copy” of the signal.
The effect returns audio to an auxiliary track. Parallel processing is simply sending signal from a track to a bus which feeds an effect.
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